DAY 01 :- ARRIVE AHMEDABAD
Arrive in Ahmedabad in the evening, check in at the hotel.
Overnight at Ahmedabad.
DAY 02 :- AHMEDABAD
Today morning we went for a heritage walk in the old quarter of Ahmedabad. Thereafter we proceed to visit the Calico Textile Museum. Afternoon we visited Gandhi Ashram, Hutheesing Jain Temple, Shreyas Folk & Art Museum & the beautiful handicraft market at Law Garden.
Ahmedabad
It was founded by Sultan Ahmad Shah in the year 1411 A.D. with Blessings of his spiritual adviser Shaikh Ahmad Khattu Ganj Baksha of Sarkhej at the site of an old town of Ashawaland Karnavati. Ahmedabad grew in wealth and splendor for a hundred years and became the centre of skilled craftsmen and merchants. The ancient monuments in and around the City ofAhmedabad may be broadly grouped under two main periods, the first that of Ahmad shah – 1datable to the first half of the 15th century A.D. , and the second, the period of MahmudBegada, datable to the second half of 15th century A.D.
The Heritage Walk
The Heritage Walk of Ahmedabad is a guided walk of two and a half hours. This daily affair by the AMC is extremely well designed in guidance and cooperation with CRUTA andSwaminarayan Trust, being operationalised by a group of young volunteers. There is also a half hour special slideshow running through pages of the city’s history unfolding back its birth from a 10th century AD ancient site known as Ashaval to the present Walled city founded during the period of Ahmed Shah and onwards.The walk begins from the picturesque Swaminarayan Mandir in Kalupur and ends in the most glorious architectural legacies the Jumma Masjid, covering in between the numerous pols,havelis, ornamental facades, workplaces of artisans and number of magnificent Hindu andJain temples. Our walk effectively anchored by our volunteer Rajesh Gajjar, proceeded fromKavi Dalpatram Chowk – which housed the great 19th century Gujarati poet – in Lambeshwarni Pole, to the classic reminisces of the city’s textile era – the Calico Dome to the century oldKala Ramji Mandir in the Haja Patel ni Pole with a unique idol of Lord Rama in dark colour
and in a sitting posture.
CALICO MUSEUM – CLOSED ON Monday S & PUBLIC HOLIDAYS. PERMISSION OF VISIT IS STRICTLY SUBJECT TO A PRIOR PERMISSION.
ENTRANCE : NO ENTRANCE CHARGE
GUIDED TOUR : TIMINGS – 1030HRS TO 1230HRS
Indian Textiles influenced by the Mughal and Provincial Courts 17th-19th Century
Textile Trade of India with the outside world – 15th-19th Century
Indian Co Regional Embroideries of India 19th Century
Costumes in the Calico Collection – 18th to mid-20th Century (Sindh, Kutch, Kathiawad, Tamilnadu, Orissa, Mithila (Bihar), Bengal, Punjab, Chamba (Himachal Pradesh)
Indian Tie-Dyed Fabrics
Techniques of Weaving and Dyeing
Wooden Blocks for Printing on cloth
Gandhi Ashram : On a quiet peaceful stretch of the Sabarmati river, Mahatma Gandhi set up a simple retreat in 1915. This was his Satyagraha Ashram and for many years it was the nerve centre of India’s freedom movement. It was from here, in 1930, that Mahatma began his famous Dandi March to the sea to protest against the Salt Tax imposed by the British. Hridaya Kunj, the simple cottage where he lived, is now a national monument and preserved as it was during the Mahatma’s life-time.
Hutheesing Jain Temple : Built outside the Delhi Gate in 1850 by a rich Jain merchant, the Hutheesing Temple is the best known of Ahmedabad’s many ornate Jain temples. ater we visited the beautiful handicraft market at Law Garden.
Overnight at Ahmedabad.
DAY 03 :- AHMEDABAD-PETHAPUR (37KMS- AHMEDABAD.
Morning Visit Shreyas Folk Museum :Shreyas Folk Museum is an educational museum exhibiting folk arts and crafts of Gujarat. It is located 2.5km west of Sabarmati in the suburbs of Ahmedabad district. As the name suggests, the exhibits at the museum include art, craft, textile and clothing, coins, weapons, toys, costumes, masks, puppets and musical instruments. One of the highlights at this museum is a complete elephant skeleton (3.19m high). Photography is not allowed.we & went for an excursion to Pethapur. Later we visit Kalamkari artisans in Ahmedabad & have dinner at Vishala restaurant with a visit to the utensils museum.
Pethapur : Elaborately illustrated floral or geometric motifs, over all or alternate repeats, bold or delicate patterned, block prints mark the epitome of textile design sensibility of Gujarat. Block printing is one of the oldest surficial textile craft forms in the world and Gujarat is renowned for this manifestation. The block though a tool in the printing of a textile is a work of art in itself requires great finesse and dexterity and it is a pleasure to watch a block maker at work. The magical marriage created by the transference of patterns delicately etched on a simple block of wood onto the surface of a fabric has created an especially Indian patina which is one of the highlights of world textile history.
Block making is a delightfully intricate explosion, taking into consideration the requirements of the printer while giving vent to the creative impulse of the carver. Block carving is a specialized craft form; right from the selection of the wood which is either sesame or teak, the block maker’s personal touch is evident at every step. The craftsmen work for a variety of clients and therefore his design repertoire is immeasurably vast and evolving for continuous adaptation.
The wood working tools used by the artisans are mostly designed by them. Once the block of wood is polished smooth and ready for engraving the craftsman begins his creation of deep relief work. The negative spaces have to be precise and sensitively planned as it is the block which creates the magic of the finished fabric. Blocks are made in a series according to the amount of colors the final print will contain. This is a highly skilled and meticulous process where registration points of the main block have to match with the relative blocks so that together as a group they make a whole image. Trellises, floral patterns, lehariyas, flora and fauna, geometrical abstractions and even modern indentation are dexterously etched in by the craftsmen.
Kalamkari (Kalam means pen, Kari means work) is an ancient craft of fabric dyeing and printing. In this age of product homogeneity, each Kalamkari piece is exclusive and a visual delight for a fashion designer. A few connoisseurs of art keep the craft alive in the city. Artist dips his kalam (a pen-like instrument, made of bamboo or palm bark, sharpened on one end and tied with a bundle of fine hair that serves as a brush) in vegetable colours and his steady hand covers the cloth with designs; every line is a firm stroke. From over his shoulder you see a perfect piece of art emerge.
The yellow bulb over his head shudders as the warm afternoon breeze wafts in and a weak ripple passes underneath the cloth. The beauty in that space and time completely captures you. The exquisite ancient craft of Kalamkari can do odd things to your senses. This art may be on its last breath in the city but it still exists even though it may not make much economy’s sense. In this age of mass production, Kalamkari churns out one-off pieces and offers exclusivity with each craftsman patronizing his own motifs. Techniques of craftsmanship in Kalamkari have been passed down over the years through generations of families.Apart from Ahmedabad, Kalamkari is also thriving in Andhra Pradesh’s Masulipatnam and Srikalahasti villages. These paintings are found only in parts of India and Iran.
A lot of labour goes into this craft. The fabric requires extensive treatment before and after painting. The colour on the cloth takes different shades depending on its treatment, or the quality of the mordant.
Given the environmental concerns of today, this technique of textile dyeing and printing is very environmentally friendly. Absolutely no chemicals are used in Kalamkari. The artists rely only on natural dyes extracted from bark, flower and root to create each one of his exclusive masterpieces.
Dinner at Vishalla : Vishalla is a restaurant with traditional Gujarati food in village surroundings. It has Veechar Utensil Museum worth visiting. The museum houses a unique collection of utensils. Museum remains closed on Mondays.
A walk around the hut-like museum makes one’s heart skip a beat, marveling at the inimitable beauty of these utensils of old. These utensils have been handed down through the changing seasons and times, over the years. They speak of the unmatched art and genius of humankind during the days of old when people did not have the modern facilities of our times. The designer could not let our rich heritage pass with these vessels being lost in the fire kilns! He was determined to preserve them, and today, his dream is a reality in the form of Vechaar.
Overnight at Ahmedabad.
DAY 04 :- AHMEDABAD-PATAN (140KMS)-MODHERA (40KMS)-LITTLE RANN OF KUTCH (50KMS)
Today we drive to Dasada enroute visiting Modhera & Patan.
PATAN – Rani ki Vav (Step well). It was built by Queen Udaymati the wife of Bhimdev during 11-12th Century. It is the most magnificent and spectacular step well and the best example of such architecture for water wells. The Vav measures about 64 mts. The stepwell has a long stepped corridor descending down to the underground tank, it has four pillars. The Pillars which support the roof have a squire base decorated with Ghat Pallavas. It was one of the largest and the most sumptuous structures of its type.
Later visit Patan Patola of weaving, patan is Famous for patola weaving, Salvi family is one of them who has continued this traditional art and has preserved it even today. Patola silk is often termed as the queen of all silk. The special technique of the handmade silk patola uses the same special technique for weaving from raw silk to the completion of the patola fabric. The weaver makes the special patola loom and colouring from indigenous natural materials. Patola from the area of patan in the north Gujarat region of western India glorifies this heritage with its unique gem like qualities, gorgeous colours, designing & durability Different colour and pattern matched exactly on horizontal and vertical threads in weaving. The patola was traditionally woven in a sari length of 5 to 9 yards by 45” to 54” width. The range now extends to include tablecloth borders, scarves and handkerchiefs.
Modhera Sun Temple, Modhera Sun Temple dates back to early 11th century CE and was built by King Bhimdev I in 1026 CE. The temple at modhera is the most important of all sun temples built in the whole Gujarat. The temple is dedicated to the Sun God. The temple is magnificent and the finest example of the Hindus architecture in Gujarat. One of the most striking features of the Modhera Sun Temple is that the first ray of the sun falls on the deity at the time of the equinoxes. In front of the temple is a colossal tank, which was once known as Surya Kund or Rama Kund.The tank has a series of the carved steps leading to the bottom.
Overnight at Dasada.
DAY 05:- LITTLE RANN OF KUTCH
Morning desert safari across the Little Rann of Kutch, a salt marsh, looking for wild ass and water birds. Afternoon tour of settlements and villages along the Rann of Kutch, renowned for their embroideries.
LITTLE RANN OF KUTCH: In the region of North Gujarat, especially in the region of Kutch one of the most interesting ethnic communities is Rabaris. Once a nomadic people, Rabaris follow an interesting lifestyle and customs. Today, most of the Rabaris are settled, though some still continue to be semi-nomadic, raising cattle, camels and goats in the arid deserts of Kutch and western India. Those settled live in small hamlets either in villages or in small towns, sometimes jointly with other ethnic communities and sometimes as a single ethnic unit. Rabaris can be easily identified by looking at their women folk, who are usually clad with long black head scrapes, distinctive heavy brass earrings which hang low, stretching the earlobes. Their jewellery is modest in comparison to other tribal women. There is an interesting myth about their black wearing.
| Tangalia Weaving : Gujarat, one of the famous states in India, known for its historical importance and culture, has made its own mark on the textile industry in India. Its legacy in the textile industry dates back to three thousand years with the climate and geographical conditions making a better impact. The finest quality of textiles and versatility of designs has made the state a favourite around the world. The versatility and variety in the raw materials, availability of different types of yarns combined with the effective use of traditional methods in weaving, printing and dyeing makes the state the first among others in the textile industries. Most of the artisans are the villagers here and they follow the age old traditional techniques combined with the latest methods making their work one of the finest in the world. The caste, community, tribes and regions of the state have a wide impact on the textile industry of Gujarat.
As a fabric, Tangalia is used mostly by the women in the Bharwad community who will drape themselves in dotted black skirts with contrasting patterns. The men of the Bharvad community use three blankets; first one is tied around their head, the second one is worn around their waist and the third one their shoulder. This is made from natural fabrics like wool, skin or cotton and bead work or dana work done with wool, cotton, acrylic yarns etc. Different shades of red, purple, maroon, blue, orange, green etc. are used with black and white background. |
The Sanctuary : The sanctuary is well known for its group of the stale joke brown Asiatic (Wild ass), which does not live elsewhere in Indian lowlands. Little Rann of Kutch blackbuck (Indian antelope), nilgai or blue bull (India’s largest antelope) and the graceful chinkara (Indian gazelle) are other mammals. The main carnivores of the Little Rann of Kutch are the endangered Indian wolf, desert fox, Indian fox, jackals, desert and jungle cats, and a few hyenas; also we can see during the visits flamingoes, pelicans, ducks, cranes and storks.
Overnight at Little Rann Of Kutch.
DAY 06:- LITTLE RANN OF KUTCH-BHUJ (280KMS)
Drive to Bhuj, capital of the captivating Kutch region. En route, visit Ajrakhpur Bhujodi.
Ajarakhpur : Ajrakhpur is a new village established by the traditional Muslim Khatri hand block printers after the earthquake that struck in 2001. This is a craft village where you will find artisans practicing traditional hand block printing in the resist technique on cotton/silk fabrics using the age old Ajrakh prints as well as new design motifs. Visit Ismail Khatri, a master artisan who has been awarded an honorary ph.D. Degree by De Montfort University for his knowledge of natural dye practices. You can also visit a number of block printing units like that of Abdul Rahim, Abdul Gani Hasam, Abdul Raheman Buddha, and Adam.
Bhujodi: A small town just 8 km southeast of Bhuj, Bhujodi is a major textile center of Kutch, with the vast majority of the 1200 inhabitants involved in textile handicraft production. Here you can meet weavers, tie-dye artists and block printers, most of whom belong to the Vankar community. Many will let you watch them work; just ask around.
Overnight at Bhuj.
DAY 07:- BHUJ
Amidst the Desert land of infinite dimensions, are suspended, quaint little villages. These are the last villages on the India-Pakistan border. Here you will come across master craft people’ exposing their traditional art, turning our master pieces every day. Their ornaments, clothes, utensils, everything they use – will make you feel as if you have stepped into a lifestyle museum leaving you spellbound.
The traditions of needlework and textile arts are preserved by almost every community and caste in the semi-arid regions of Saurashtra and Kutch. A full day exploring some of the Kutchi village communities offers an insight into the traditions and the daily life of the artisans whose work is integral to the culture of the region. The village of Nirona is the only place in the world where the tradition of Rogan art is still practiced (a method of producing dyes from natural resources and castor oil and creating intricate and long-lasting designs on silk and cotton). Nirona also offers the chance to see artisans making copper bells and practicing wood lacquering. The villages of Dhordo and Ludia provide an opportunity to see Bandhani (tie and dye,) block-printing and the intricate embroidery and embellished bead and mirror-work that encapsulates the folk culture of Gujarat.
Overnight at Bhuj.
DAY 08:- BHUJ-GONDAL (260KMS)
Today we drive to Gondal.
GONDAL : The Riverside palace at Gondal, a Govt. of India classified heritage hotel, and the Orchard Palace in the same town, are two mansion guest houses opened as heritage hotels. The interiors of these properties are equipped with period furniture, antiques and artifacts reminiscent of the days of the Raj. The highlight of staying at these properties is that guests can see the Royal Garages, housing vintage & classic cars, and the Naulakha Palace, which is a festival of stone carvings & houses royal memorabilia including toys of the late 19th & early 20th century, silver caskets that carried messages & gifts for the Maharaja, elephant howdahs & royal portaits. It has a royal saloon suite, which has its own drawing, dining, bedroom & bathroom in a converted railway carriage.
Overnight at Gondal.
DAY 09 :- GONDAL-AHMEDABAD (250KMS)
Today we will Drive to Ahmedabad. On arrival visit visitLalbhai Dalpatbhai Museum : The collection includes Indian sculptures, paintings and coins. Ever since its inception in 1956, the institute has been collecting and preserving rare manuscripts and artifacts of various kinds. The credit for the collection goes to Muni Shri Punyavijayji, an erudite monk scholar, and Sheth Kasturbhai Lalbhai, the well known industrialist of Ahmedabad. Closed Mon and public holidays. Entry free.
Overnight at Ahmedabad.
DAY 10 :- AHMEDABAD + DEPARTURE
Today we leave Gujarat with everlasting sweet memories.
